Wednesday, February 29, 2012

London calling: The best autumn collections

London calling: The best autumn collections

Ugly. It's not the most obvious buzzword but London's finest collections upheld an unconventional – if not plain confrontational – take on female beauty across the board. Spring's sugary colours were replaced by dowdy hues.
Khaki, oxblood, grey and, of course, black were accented with flashes of virulent green, yellow, purple and tomato. And there were more off-shades too, most prominently mustard and poison green. Move over also the bourgeois silhouette that has dominated the catwalk for so long has gone in favour of severe, boxy lines that either stand away from the body with aggressively sharp edges, or drown it entirely.
Christopher Kane himself described the moiré featured in his show as "disgusting" and the overall look as "a bit sick". This smelt of Teen Spirit, from models' lanky, centre-parted hair to their pallid complexions and heavy black-leather ankle boots and Mary Jane shoes. Here ribbon trim was replaced by more black leather, padded and tied into stiff bows. The silhouette was narrow but never tight throughout – nasty more than nice. Kane said he was inspired by Joseph Szabo's portraits of the ambivalence of adolescence and young girls in clubs "hanging around smoking". The look was as tough as it was accomplished and challenging, too, which after the sweetness of the designer's summer collection, was good to see.
JW Anderson's woman was no shrinking violet either. At times the clothing she walked in was so stiff she appeared barely able to bend her knees – not that that stopped her. Vinyl trouser suits – part space age, part surgical greens – were juxtaposed with tufted tartans and quilted skirts and jackets that, rather cleverly, were styled with un-quilted copies underneath, just in case our heroine is self-conscious enough to worry about her girth although clearly the message is: why should she be? The influence of the early work of both Comme des Garçons and Yohji Yamamoto was at play here: Anderson's not the only fêted designer to look to that just now and it's a smart move.

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